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An actress cures an aged flirt by posing as his wife.

This sponsored film from Chicago’s Goldsholl Design & Film Associates captures the lively world of pre-1960s advertising through animation and collage techniques. As a filmic treatise on corporate identity, Faces and Fortunes explores the legacy and importance of “personality” achieved through the branding practices of industries, organizations and companies. The film was sponsored by the Kimberly-Clark Corporation, produced & directed by Morton Goldsholl, conceived by Millie Goldsholl and executed by Wayne Boyer, Larry Janiak and Millie.

Over the course of his silly, high-energy performance, Holmes shares his thoughts on such disparate topics as: the keys to happiness; the illogicality of nightmares; being an "easy laugh"; what to wear on a flight; bizarre quirks of language; filling one's "joy quota"; how the British deal with awkward situations; the ridiculousness of porn; and more.

Two friends wander around a Soviet-era neighbourhood in the outskirts of Vilnius. An airport is going to be built here soon, and the place where they grew up will cease to exist. This thoughtful, post-dramatic film shot by director and cinematographer Vytautas Katkus is an inquiry into the psychogeography of post-Soviet Lithuania.

On the brink of his big break, an overconfident understudy blows his life up.

Frank lived alone. He had no job, no friends and no girlfriend. Then Charlie came along and everything changed.

'Suburban beautician almost elopes with rich client's husband.' (British Film Catalogue)

A love story in the times of programmed obsolescence.

Faces is a multi-narrative feature film set across four storylines that follow a group of characters as their lives begin to unravel. Aisha is in a marriage that has become stale. When her wish to get pregnant finally becomes reality, she receives some very unexpected news. Louie and Gaspard are a gay couple who are happily in love but when Louie’s female financée suddenly shows up in the picture, all that they hold dear begins to fall apart. Adam and Luke are best friends, but an attack on Adam at a party threatens to create a schism between them. Sindiso runs a charity for women to which she has dedicated herself. When the centre begins to have financial troubles with the real risk of closing, Sindiso has to question her fundamental motivations.